If you have a complaint about the ownership of a picture or text, please contact me (juanribera@telefonica.net) directly and I will be sure to remove it at request as soon as possible.

jueves, 28 de mayo de 2009

The Bootiques y el nuevo single de The Lodger para Elefant



Ayer estuve oyendo Flor de Pasión y me gustaron mucho estas dos canciones.
THE BOOTIQUES son un grupo femenino entre cuyos componentes está Christine Costello (hija de Abbott y Costello) y está canción "Did Your Get Your Fun" fue producida ni más ni menos que por Curt Boettcher, que además intento grabar más cosas con ellas que al final quedaron inéditas (November 10, 1967—Sessions with The Bootiques: Stephen J. McParland’s wonderful series of Gary Usher biographies (titled The California Sound: An Insider’s Story) contains many nuggets of info. One such is the AFM union sheet for this recording session for The Bootiques. Boettcher already produced their single “Did You Get Your Fun / Mr. Man of the World” (Date 1513) in 1966, so these must’ve been for follow-up singles).

La canción se puede encontrar en el volumen 5 de "Where The Girls Are", los famosos recopilatorios de Ace Records sobre Girl Groups.

También estrenó el nuevo single de The Lodger para el club del single de Elefant:
"I think I need you” será el quinto 7” de su carrera: “Nos dimos cuenta de que nunca habíamos editado un single “lento” antes, así que decidimos que era el momento de rectificarlo” y ahí llega en forma de rectificación ese precioso medio tiempo que es “I think I need you” y sus fantásticos y cristalinos arreglos de guitarra. Y para los que disfrutan de los LODGER mas forofos de THE SMITHS, “I can’t stop” es una de esas canciones que pedirías de rodillas al DJ para que te alegrara una noche de sábado. “This is good fortune” tiene uno de esos estribillos que necesitas rememorar cada mañana, antes de subirte al autobús que te lleva a la monotonía diaria, para tener un poco de sol cada día, mientras que “That guy” es, como ellos mismos reconocen, la canción más corta que han escrito en toda su carrera, un crescendo explosivo que apenas requiere de poco más de un minuto para explotar.

En la web de Elefant se puede incluso ver el vídeo clip (poco glamouroso, por cierto)

martes, 26 de mayo de 2009

La canción favorita de Renée (de Liechtenstein)






Hay que reconocer que buen gusto si tienen

Is there a specific song by another artist you wish you had written?

Renée: I’m very fascinated by the song White Mice by The Mo-Dettes - to me it is the perfect song, there isn't one thing I would change about it. Perfect to sing along to as well!

(de http://allthatevermattered.blogspot.com/2008/09/interview-liechtenstein.html)

lunes, 25 de mayo de 2009

Article 58


Este single lo produjo Alan Horne junto a Malcom Ross y lo editó el sello Rational. Leo en You Heart Out 7 que Douglas MacIntyre (ahora en Creeping Bent) escribió de ellos en el libreto de la recopilación "Endless Soul" de Josef K (Marina Records) y los calificó como "Post-punk existencial teenage angst pop group", ni más ni menos. La canción la tengo en el recopilatorio "Ave Marina"

domingo, 24 de mayo de 2009

The Durutti Column - "Tomorrow" (1985)


Ayer estuve en Soriano y aproveché para ojear revistas. Me llamó la atención que un miembro de The Doves en Q Magazine enseñaba sus discos favoritos y uno de ellos era este single que publicó Factory Benelux. La canción se puede encontrar también en el lp "Circuses and Bread" y es una bonita oda a un amor imposible.


All I wanted was your time / All you ever gave me was tomorrow /All I wanted was your time /All you ever gave me was tomorrow / [chorus]And tomorrow never comesTomorrow never comesTomorrow never comesTomorrow never comesTomorrow never comes


Novedades indies: Liechtenstein y The Legends




LIECHTENSTEIN
atención al tema que lo abre: "All at Once"


The Pains Of Being Pure At Heart? Northern Portrait? Yes, I'm excited about those debut albums this year. But nothing beats my excitement for this: Liechtenstein's Survival strategies in a modern world. The CD will be out at Fraction Discs at the end of this month. To make things even better, the album will also be released as a 10", together with Slumberland Records. All 9 songs are brand new and previously unreleased. You can download Roses in the park below, but don't forget to listen to All at once, the album's opener, on the band's myspace.New to Liechtenstein? Read my interview with the band here.Liechtenstein websiteLiechtenstein myspaceFraction DiscsSlumberland Records


(from All that ever mattered blog)




THE LEGENDS


OVER AND OVERCD-LAB118


The single "Seconds away" was described as 'The noisiest pop single to ever come out of Sweden' when it was released this winter and created a huge buzz worldwide - staying at no.1 at Elbo.ws for nearly three weeks! "Over and over" is a brilliantly modern mix of white noise, 60’s girls pop, indie, ambient and krautrock.The album includes contribution from Club 8's Karolina Komstedt, The Mary Onettes' Philip Ekström, Tralala's Liane Moccia and more

viernes, 22 de mayo de 2009

Lo que veo por la tele


Ultimamente me estoy aficionando a ver otro tipo de TV en la franja horaria de 22 horas a 23,30 con los informativos nocturnos (la noche en 24 horas), el debate/la entrevista en cnn + o en un informativo cultural de canal 33 llamado Anima (http://blogs.ccrtvi.com/anima.php). Lo presenta la chica del ya extinto Silenci y un compañero y en los últimos días he visto a Jorge Herralde (Anagrama), un interesante reportaje sobre Tintín o a un grupo indie catalán llamado Sedaios . Siempre me he preguntado porque nadie hacía un informativo cultural y veo que por fin alguien lo hace... Así entre estos programas, voy haciendo zapping y se me pasa la hora y media bastante rápida.

Pd: el grupo del que hablo -sedaios- regala aquí su lp de debut en mp3: http://gandulagandula.blogspot.com/2009/04/descarrega-sedaios-resolen-problemes.html
la versión de pago es un lp en vinilo (no hay cd)

Revista de Prensa (Bueno, más bien revista de blogs)




1) Jeff Barrett (el capo de Heavenly Records) escribe sobre Rob Gretton, el que fuera manager de New Order y cuenta como llegó a ser publicista de éstos. Impagable su presentación ante Rob Gretton: "I had long hair. Shoulder length, curly, red hair (in my mind Tim Buckley, in reality Robert Plant) Worn with red selvedge Levi’s, ‘engineer’ boots and vintage American check shirts. (My point here being that it was a look. Maybe a crap one but it was deliberate).
I walked up to the door, maybe a little nervous by now, and rang the bell. The door opened and it was Rob. He looked at me – stared at me in fact – pushed his glasses up and declared “Fuckin’ ‘ell they’ve sent me a hippy”." )

de http://caughtbytheriver.net/2009/05/remembering-rob-gretton/

2) Alan McGee escribe de forma entusiasta sobre Dan Tracey de Tv Personalities (http://www.guardian.co.uk/music/musicblog/2009/may/05/dan-treacy-creation-records)

3) Gail Chickfactor escribe de forma NADA entusiasta sobre Dan Tracey de Tv Personalities (http://www.chickfactor.com/2009/05/creationism.html)

4) Jon Savage comenta un reciente libro sobre la música disco (http://caughtbytheriver.net/2009/05/vince-aletti-the-disco-files/)

5) Unpopular habla sobre la reedición de The Vaselines (http://unpopular.typepad.com/unpopular/2009/05/the-day-he-was-a-horse.html) y sobre la extraña obsesión del grupo por los equinos

How come your songs had so many equine motifs?
E: I was a horse for one day after a day trip to the Isle of Millport. It’s all in the song, ‘The Day I Was a Horse’.
F: Eugene liked to shag horses.

y 6) jumped pantry boy habla sobre Biff Bang Pow!, The Claim y sobre su antiguo zine (1987)Pont Plant Pantry

(http://pantry.wordpress.com/)

miércoles, 20 de mayo de 2009

Astrud Gilberto - "Now" 1972



Gracias a la recopilación de Your Heart Out de la que hablaba ayer he descubierto este lp de Astrud que no conocía. (me quedé en la la etapa Verve). Bonita versión de Jorge Ben y si, ella también sabe "sambear"

Killer work by Astrud Gilberto -- very different than her Verve sides of the 60s! The album was produced by Astrud, arranged by Deodato -- and has that wonderful warm full jazz feel of her classic album on CTI, but also a bit more like some of the funky work of Jorge Ben at the time -- choppy at the bottom, with a sound that's a bit samba, and a bit funky at times. Mike Longo and Deodato play keyboards on the session, giving it an electric groove that works perfectly with Astrud's soaring vocals -- and the whole album really holds together wonderfully! There's a nice bit of funk on the cut "Take it Easy My Brother Charlie" -- and other tracks include "Zigy Zigy Za", "Baiao", "Gingele", "Bridges", and "Where Have You Been?".
(DUSTY GROOVE)

Two years after her underrated album on CTI Records, Astrud Gilberto's follow-up is her first attempt to be taken seriously, not as a singer — she had that covered — but as a songwriter, at a time when simply singing standards was seen as lacking. Her four songs on this ten-song album show she has a way with a melody, though obviously influenced by countrymen Milton Nascimento and Jorge Ben, and her producer Eumir Deodato. "Gingele" and "Zigy Zigy Za" are exactly the kind of riff-based tropicalismo that Ben and company were making popular around this time. "Take It Easy My Brother Charlie" is probably her best song here (covered over 20 years later by Kahimi Karie), though it is Ben who often gets the writing credit (here it's listed as Gilberto and associate producer David Jordan). Very few concessions are made to America; only "Daybreak (Walking Out of Yesterday)" comes from the pop world, with instrumentation and sound coming from south of the equator.
(TED MILLS EN ALLMUSIC)

martes, 19 de mayo de 2009

Your Heart Out 7 y recopilación para el verano



http://yrheartout.blogspot.com/

The brand new (7th) edition of Your Heart Out is now available to be downloaded for free in our library.

Entitled The Archaeology of an Abandoned Soul Single it's a wonderful romp that takes as a starting point a discarded 7" by Joe Curtis. The trails from this single take us via (Back To Zero's) Brian Kotz and his recollections of the start of the 6Ts Rhythm & Soul Society, then there are exclusive interviews with The Visitors and The Users, a look at Munich disco, Laurel Aitken's protest plus a great piece by our comrade PC on The Aller Vaerste! Then thanks to the Motown tapes captured on the cover we take a diversion that takes in the magnificent return of the Wild Swans and Nightingales.

Over the next few weeks we'll be posting a series of entries here which will give an extra dimension to the articles, with hopefully some exclusives as well.

THE SPIRIT OF THE SUMMER

It would be bad form to bid adieu to The Enormity of Small Things, the sixth issue of Your Heart Out, before paying homage to the genius of Deodato. And seeing as the weather is a bit on the grim side today, one needs little excuse to post a short mix of Deodato related sounds, and hey presto! The sun, it shines here! Trust me, this is a glorious selection of tracks, highlighting the wonderful arrangements Deodato was responsible for in the '60s into the '70s. So, here's The Spirit of Summer for you to download and dance to.
And if the mix shows a strong bias towards Astrud Gilberto, then I will not be apologising for that little indulgence!

http://www.box.net/shared/0mh5t3tpvm

Waylon Jennings "Country-folk" o un album de ¡Soft-country!



A Waylon Jennings lo conocí gracias a Paul Quinn, de cuyo primer lp en solitario mi canción favorita era "Hangin On" y más tarde me enteré de que era una versión de este hombre.
Ahora vuelve a ser actualidad gracias a que un nuevo subsello de Cherry Red llamado Righteous ha reeditado un lp bastante raro -no suele figuar en sus discografías oficiales- llamado "Country-folk" que grabó con un grupo vocal llamado The Kimberleys en 1969. El resultado es algo así como Country-soft... Hay canciones bajo la firma de Jimmy Webb o Jackie Deshannon. Creo que a un fan de Lee Hazlewood este album le gustará

"Country-Folk es un álbum del cantante Waylon Jennings junto al grupo The Kimberlys en el coro, lanzado en 1969 bajo el sello disquero RCA Victor.
El grupo The Kimberlys consiste en un cuarteto de 2 hermanos provenientes de Oklahoma y sus respectivas esposas, quienes también son hermanas.
La letra de las canciones eran conocidas por otros musicos del area del estado de Las Vegas. Jennings intento ganar mas audiencia con este álbum. 3 de las canciones fueron escritas o co-escritas por un integrante del grupo The Kimberlys llamado Harold Gay."

Más info: http://www.waylon.com/DWTFiles/Discography/12-CountryFolk/0-AlbumHome.html

Ana Yturralde


Ayer estuvo en la sala de exposiciones del Metro de la Calle Colón y vi la muestra de la fotógrafa Ana Yturralde. Me gustaron sus fotos pero sobre todo me impactó esta, que al parecer ha sido seleccionada por The Emerging Photographers Fund de la prestigiosa agencia Magnum Photos. Curiosidad: coincidí con ella en el colegio y en la Universidad y es hija del pintor Yturralde.

http://www.anayturralde.com/

viernes, 15 de mayo de 2009

Jackei Lee "The Town I Live"/"You Too (Can Have Heartache)"



Precioso single que he conocido gracias a "Dream Babes" VOL 1 y "Dream Babes" VOL 2

JACKIE LEE The town I live in / You too (can have heartaches) Columbia DB8052, November 1966. Bit of a classic. From the opening notes, you know this is going to be a corker, and it is. One of Jackie's best known non-hits. 'Cos the town I live in has 27 churches, la la la la la la la, and avenues lined with silver birches, la la la la la la la'. Other side is a gem too.

(texto de http://www.jackielee.freeserve.co.uk/ )

jueves, 14 de mayo de 2009

Jarvis


Gracias a Dusty Sevens me entero de esto:



Pero ¡No se vayan! ¡aun hay mas! AQUI: http://www.youtube.com/user/rockingparis

Por cierto de su nuevo lp esto dice amazon uk: The pairing of Jarvis Cocker and Steve Albini--the producer of this second Cocker solo outing--is an interesting one. Though known more for his hard rock sound (Nirvana, The Pixies and The Auteurs), Albini has also helmed LPs by the likes of Low and the Jon Spencer Blues Explosion. On Further Complications he helps Cocker achieve a neat balance of tough-edged Brit-rock, electro pop and searing soul. Opening with the rattling title track, Cocker swaggers through the buzzing "Angela", the loping, krautrocky instrumental "Pilchard", the energetic, sax-led "Homewrecker!" and the punky "Caucasian Blues". These impressive upbeat missives are offset by wry ballads like "Leftovers" ('I met her in the Museum of Paleontology / and I make no bones about it') and "I Never Said I Was Deep". Mundane tracks like "Fuckingsong" let the album down, but they’re few and far between and in any case redeemed by the wonderful finale "You’re in My Eyes,", a tune that returns us to Pulp’s disco/funk obsessions. --Danny McNamara


After the marvellous, though melancholy 'Jarvis'which considered weighty topics such as fatherhood and globalisation, 'Further Complications' sees Mr Cocker back on familiar lyrical ground (sex,frustration, romanticism and poetic flights of fancy).
However, sonically it is quite a different affair- with the guitars turned up to '11' and some of the rawest, howling vocals Jarvis has done since 'This Is Hardcore'.

The important thing is that Jarvis Cocker is still working - and not being rubbish at it. Whereas many contemporaries have drifted into lazy parody, Cocker is out there. Unlike Pulp, where the infusion of old-skool synths gave the music an instantly dated summer-of-1974 feel, here on the second record - "Further Complications" - Cocker goes for a different type of dating ; a throwback to an angry glam rock, built on Cro-Magnon guitar riffs and fuzzy, filthy bass.

miércoles, 13 de mayo de 2009

Dusty fotografiada por Val Wilmer


http://en.wikipedia.org/wiki/Val_Wilmer

http://www.tangents.co.uk/tangents/main/2006/january/reason2.html

martes, 12 de mayo de 2009

Paul Mauriat


De Lunes a Jueves suelo escuchar una canción de este hombre. El truco es que la sintonía de inicio de Flor de Pasión es el tema de Serge Gainsbourg en la versión orquestal de Paul Mauriat, Attends ou va-ten. Hoy también he estado escuchando su interpretación de "Love is Blue", genial también

Esto es lo que dice wikipedia de él:


Paul Mauriat (Marsella, 4 de marzo de 1925 - Perpiñán, 3 de noviembre de 2006), fue un director de orquesta francés, que se especializó en música ligera. Se dio a conocer con el éxito logrado por la grabación de "El amor es azul" (L'Amour est bleu) del compositor francés André Popp, y que fue la # 1 durante 5 semanas en 1968 en las carteleras de Estados Unidos.

Mauriat creció en Marsella y comenzó con su propia banda durante la Segunda Guerra Mundial. En la década de 1950 se convirtió en director musical de por lo menos dos conocidos cantantes franceses, Charles Aznavour y Maurice Chevalier, a quienes acompañó en diversas giras.

En 1958 grabó su primer EP, previo a en 1959 firmar contrato con la compañía Bel-Air. En 1965 inició una relación comercial con el sello Philips, donde realizó la mayor parte de sus grabaciones y estuvo vinculado a ella hasta 1993.

En 1998 realizó su última actuación al frente de su orquesta, la cual siguió actuando.

Para los aficionados a la radio, merece la pena mencionar que la sintonía de inicio del veterano programa de Radio 3 Flor de Pasión es un hermoso tema de Serge Gainsbourg grabado por Paul Mariat, Attends ou va-ten.

lunes, 11 de mayo de 2009

Saint Etienne se apuntan a las deluxe edition


Y lo hacen con ediciones limitadas llenas de cosas y sorpresas varias. Gracias a Carlos me entero de ello. El propio Bob Stanley lo cuenta en The Guardian.

Primero pego el texto del club de fans y luego el de The Guardian:

TEXTO CLUB DE FANS

We've been holding back on this news for a while until we had all the info, but finally we can reveal the first bunch of Saint Etienne Deluxe editions:
FOXBASE ALPHA and, for the first time outside Japan, CONTINENTAL. They will be in the shops on May 18th, but we're hoping to have copies to sell at the Foxbase shows the previous week. They are 2cd sets, in shiny plastic wallets, with plenty of unseen photos and memorabilia from the period. As well as the relevant b-sides, and various alternate takes, each will include a clutch of unreleased songs.

On FOXBASE ALPHA we have SALLY SPACE (pretty good, but oddly entirely forgotten by all three of us), CHASE HQ (as premiered on Resonance FM a couple of weeks back), and THE RECKONING (full spy mode instrumental);

Continental premieres WHERE DID OUR LOVE GO (lost somewhere in the middle of the Atlantic according to this high-powered melancholic dancer), WE COULD HAVE IT ALL (celebrating the magic of teamwork) and the jagged electro love song UNDER HER SPELL.

FOXBASE ALPHA is also coming out in a gorgeous limited edition of 1,000 set - as seen in the Guardian! Thanks to the international piracy problem (we're not kidding) it will ship in July, but can be pre-ordered during May. We'll offer a link via the official Saint Etienne site first, and it will be available to international buyers. So what do you get? * a 6"tall model of a Subbuteo player in the classic green and white Saint Etienne strip * a reprint of the original album poster * 4 unique Foxbase badges (or pins) * a cd of the remastered double disc album. It all comes in a beautifully designed, vintage Etienne-green presentation box. It's truly lovely - we've seen one! Something for your children, and your children's children, to go gooey-eyed over, before they tear the box to bits and pull the player's head off.

Beyond FOXBASE ALPHA and CONTINENTAL are similarly through reissues of SO TOUGH and SOUND OF WATER.

More details as and when, but we've been rather shocked and surprised by how many forgotten relics are lurking in various cupboards and cellars.

And before all that, of course, is the FOXBASE ALPHA tour, with support from Lawrence (Felt/Denim) and his dynamite GO KART MOZART band. There are no tickets left for London, but still a few for the Glasgow and Sheffield shows. We
hoped to get Bizarre Inc out of retirement, but instead the London DJs are RICHARD X and AIR FRANCE: the Bloomsbury Ballroom will stay open until 1am, so bring pills and dancing wear. Maybe leotards.
DJs for Sheffield and Glasgow to be confirmed very soon.
It should be mindblowing. Rehearsals are looking and sounding great.
We are most excited. See you there.

Bob Pete and Sarah xxx

THE GUARDIAN

Gatefolds and grand pianos

Deluxe record editions

Bob Stanley
The Guardian, Friday 24 April 2009


One way for fans to get closer to the bands they love has always been to own the rarest, most collectible pieces of product. Early pressings, limited editions - these are central to record-collecting lore. Frequently, this unquenchable need for product defies logic: at a Beatles auction in the early 90s, an early "gold label" pressing of Please Please Me sold for more than the jacket worn by John Lennon on the cover of Rubber Soul.

Record companies have exploited this got/need mentality since the picture-disc boom in the late 70s, but recently pop stars have taken to creating super-deluxe editions of their latest albums, items which sit in the collector's psyche somewhere between a fresh-out-of-the studio acetate and the "handcrafted in meticulous detail" figurines advertised in the Mail on Sunday. A Tori Amos box set called A Piano falls into the latter category. The 12in box contains five CDs of songs which touch on self, religion, femininity, pain and love (with a searching spirit), and is topped with a frighteningly realistic, miniature grand piano. Of course it doesn't play because, lest we forget, it's a collectible and not a toy.

As a way to reactivate back catalogue, it's become almost a necessity to dress the CD properly. The humble jewel case - around since the early 1980s, so easily scratched and cracked - now looks as hip and desirable as a used videotape. Add a card slipcase, a booklet, maybe even a hardback book, and it starts to look more like an art object.

The best super-deluxers tend to come from artists most associated with collecting, or with their own strong aesthetic. DJ Shadow is the patron saint of crate-diggers; his Diminishing Returns Party Pak included some of his most desirable mix tapes (plus T-shirts), and was limited to 1,000 copies. Once it sold out, the mix tapes were immediately bootlegged, which only made the original more desirable. The Pet Shop Boys' catalogue has been a little variable in recent years, but their packaging only gets better. In their heyday, the Behaviour album came in a white fur box with a bonus 3in CD, which was fancy enough; the recent Yes album came as 11 separate 12-inch singles with a sturdy book and retailed at a staggering £300 - and there were 300 PSB diehards to guarantee it sold out to keep Neil Tennant in snuff for some time to come.

In times gone by, feeding the keenest fans was the domain of the bootlegger, who had an understanding of what they wanted that seemed beyond the ken of a marketing man. Last year, Nine Inch Nails' Ghosts I-IV was released in five different formats, ranging from free download to a $75 job with a Blu-ray disc and accompanying slideshow, to a vinyl/CD combo in a huge black box signed by Trent Reznor.

In a case of super-deluxe oneupmanship, NIN's drummer Josh Freese has now put out his Since 1972 album on 11 formats. $7 gets you a digital download; $50 and you'll receive a "Thank you" phone call from Josh for buying Since 1972. And, for the fan who has everything, including limitless funds, there's a $75,000 limited edition of one, for which Josh will write, record and release a five-song EP about you and your life story, and take a flying trapeze lesson with you, after which you get to "go back to Robin from NIN's place and his wife will make you raw lasagne". To prove that even the wealthiest fans can't get everything they want, there is a "no spooning" clause.

For the artist, these editions are a chance to escape years of titchy CD sleeve design, a return to the era of lavish gatefolds with lyric sheets and rice-paper inserts. Saint Etienne's Foxbase Alpha is being reissued next month, along with untold delights on a bonus disc. The brave new world of super-deluxe has afforded us the extra pleasure of attaching a giant Subbuteo player decked out in the 1970s Saint Etienne kit, packed in a vintage green box. The trick of designing these collectibles is to put yourself inside the mind of the fan, though the fact I'm a Subbuteo junkie may have swayed my judgment

domingo, 10 de mayo de 2009

Las fotos de Jose Maria Mellado

http://www.mellado.info/

http://images.google.es/images?hl=es&q=jose%20maria%20mellado&um=1&ie=UTF-8&sa=N&tab=wi

Marion Maerz, la Sandie Shaw alemana


Texto sacado de este gran blog dedicado a las chicas yeyes alemanas: http://blogs.myspace.com/teutonic_jens

Marion Maerz is arguably the most saluted german doll around. Reportedly even Paul McCartney noticed her talent. She cleverly stayed away from those typical Schlager novelty tunes and delivered honest, slightly melancholy tracks. Her producer Christian Bruhn writes in his book that he had one winning formula for Marion that he exercised to perfection: "Keep it simple, keep sexy, keep it sad".
Her breakthrough hit became the iconic "Er ist wieder da", that was written by Bruhn at the same time as Drafi Deutscher's "Marmor, Stein und Eisen bricht". If you listen closley you will recognize the same patteren of slow and faster parts in both tunes.
Anyway, Marion's german tracks are expertly compiled on her Bear Family CD "Er ist wieder da". However the family made one painful omission: her wonderful english language single "I Go To Sleep", a track written by Ray Davies from The Kinks and previously recorded by Peggy Lee and Cher (and shortly after by brit girl Samantha Jones), but no one can do sexy/sad like Marion and her version towers over all others. She became one of the few german artists to appear on the german Beatclub TV show, see a short clip of performance below. Now get a handkerchief ready and wallow in her delicate pain...

jueves, 7 de mayo de 2009

Norma Bengell - Oooooh Norma 1959



Precioso disco de esta actriz y cantante que fue la sex symbol de los primeros momentos de la Bossanova (con impactante y escandalosa -para la época- portada) . Más que bossanova, yo diría que es un disco plenamente americano muy en la onda de las chicas swing. Incluye una buena versión del "Fever". Sigo avanzando con el libro de Ruy Castro. Voy por "Desafinado" y los constantes cambios de casa de Joao Gilberto; sin duda lo más divertido del libro hasta ahora (¡cómo me río con el hombre éste)

Se puede uno bajar el disco gratis. En Loronix ¡cómo no!. Es increíble lo de este blog. Una joya.

lunes, 4 de mayo de 2009

El nuevo rock de lujo



Como siempre que antecede a un Prinmavera Sound (festival en el que están involucrados), el número se convierte en una especie de programa de mano del festival. Mirad sino parte de los contenidos: Throwing Muses, Neil Young (la portada), Michael Nyman,Kitty Daisy & Lewis, la Bien Querida y The Pains of Being Pure at Heart. Todos ellos participan en el festival.
Aquí cuelgo la entrevista a PBPH, que por cierto es realmente buena (¡ah! y en este número no escribe nada el Kiko)

Haruki Murakami



En el nuevo Rock de Lujo hay una entrevista a Haruki Murakami. Carlos, ya me pasarás "Tokyo Blues" para que me lo lea este verano

Datos personales

Mi foto
contact: silvinaberenguergomez@gmail.com