If you have a complaint about the ownership of a picture or text, please contact me (juanribera@telefonica.net) directly and I will be sure to remove it at request as soon as possible.

lunes, 29 de septiembre de 2008

Reediciones New Order


NewOrderOnline.com


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On 28th September Rhino Records will re-issue one of the most consistent and influential music catalogues of the 1980s, that of New Order. All five albums will come with bonus discs featuring extended versions, b-sides and remixes, as well as extensive sleevenotes, including interviews with all four band members.
Rising from the ashes of legendary British post-punks Joy Division, New Order triumphed over tragedy to emerge as one of the most acclaimed bands of the 1980s. Embracing the electronic textures and disco rhythms of the underground club culture years in advance of their contemporaries, the group's pioneering fusion of new wave aesthetics and dance music successfully bridged the gap between the two worlds, creating a distinctively thoughtful brand of synth pop.

Released in 1981, New Order’s debut album Movement - produced by Joy Division collaborator Martin Hannett - is the sound of a young band testing new waters after the loss of their singer. The bonus disc features alternative versions and b-sides, with examples of transitional tracks, such as In A Lonely Place and Cries And Whispers, and those that point unequivocally forward as Bernard Sumner finds his own vocal personality, such as non-album singles Everything’s Gone Green and Temptation, a song that spanned generations with it’s triumphant standout on the Trainspotting OST.

On 1983’s Power, Corruption & Lies the band established their own unique and innovative identity, perfectly mixing their love of Kraftwerk with New York’s underground club scene - helped to fruition by producer Arthur Baker. The album featured the state-of-the-art dance classic Confusion. The bonus disc features a song that can truly be described as legendary: Blue Monday, the best-selling 12” of 1983 and a song that defines an era. Also featured are instrumental and alternative versions of Thieves Like Us and Confusion.

1985’s Low-Life further proved the band’s talent for creating dance-pop gems, such as Sub-Culture and The Perfect Kiss. A propulsive, smart and edgy album, it combined lush synth patterns and programmed beats with a level of emotion that keeps the music fresh. The bonus disc features extended mix versions of several album tracks as well as the John Robie remix of Shellshock - the song that brought the band to prominence in the US after it appeared on the Pretty In Pink OST.

Just a year after Low-Life, the band released Brotherhood. The album showed the band’s diversity – it’s one of the least synthesized albums in their catalogue – and their ability to write hook-filled songs, such as the Bizarre Love Triangle single. The bonus disc features extended versions of album tracks, as well as the 1988 version of Blue Monday and Shep Pettibone Remix of True Faith, as well as the True Dub version.

In 1988 the band travelled to Ibiza, and the island’s Baleric and Acid House scenes heavily influenced their 1989 album Technique. Yet again showcasing their talent for writing brilliant left-field pop songs, the album further blurred the line between electronic dance and alternative pop. The driving singles - Fine Time, Run, Round & Round - helped make Technique the band's most dance-oriented record yet, though rockier album tracks - Love Less and All The Way - revealed the band’s on-going versatility. The bonus disc features b-sides and extended versions of album tracks, as well as remixes, including Fine Time (Silk Mix) and the 1990 England World Cup anthem, World In Motion (Cabinieri Mix).


Movement (1981)

1. Dreams Never End (03.13)
2. Truth (04.36)
3. Senses (04.45)
4. Chosen Time (04.06)
5. I.C.B (04.33)
6. The Him (05.27)
7. Doubts Even Here (04.17)
8. Denial (04.21)



Movement – bonus disc

1. Ceremony (04.25)
2. Temptation (7.01)
3. In A Lonely Place (06.14)
4. Everything’s Gone Green (05.32)
5. Procession (04.29)
6. Mesh (03.27)
7. Hurt (08.07)
8. Cries And Whispers (03.03)
9. Ceremony (Alt. Version) (04.36)
10. Temptation


Power, Corruption & Lies (1983)

1. Age Of Consent (05.14)
2. We All Stand (05.14)
3. The Village (04.37)
4. 5 8 6 (07.29)
5. Your Silent Face (05.59)
6. Ultraviolence (04.49)
7. Ecstasy (04.24)
8. Leave Me Alone (04.39)


Power, Corruption & Lies – bonus disc

1. Blue Monday (07.32)
2. The Beach (07.22)
3. Confusion (08.15)
4. Thieves Like Us (06.38)
5. Lonesome Tonight (05.13)
6. Murder (03.57)
7. Thieves Like Us (Instrumental) (06.59)
8. Confusion (Alt Version) (07.36)


Low-Life (1985)

1. Love Vigilantes (04.18)
2. The Perfect Kiss (04.50)
3. This Time of Night (04.45)
4. Sunrise (05.59)
5. Elegia (04.55)
6. Sooner Than You Think (05.12)
7. Sub-culture (04.56)
8. Face Up (05.06)

Low-Life – bonus disc

1. The Perfect Kiss (08.49)
2. Subculture (07.26)
3. Shellshock (John Robie Remix) (06.28)
4. State Of The Nation (06.33)
5. Elegia (17.28)
6. Let’s Go (03.43)
7. Salvation Theme (2.16)
8. Dub Vulture (07.56)

Brotherhood (1986)

1. Paradise (03.49)
2. Weirdo (03.51)
3. As It Is When It Was (03.43)
4. Broken Promise (03.46)
5. Way Of Life (04.04)
6. Bizarre Love Triangle (04.20)
7. All Day Long (05.10)
8. Angel Dust (03.41)
9. Every Little Counts (04.26)
10. State Of The Nation (06.32)

Brotherhood – bonus disc

1. Bizarre Love Triangle (06.43)
2. 1963 (05.37)
3. True Faith (Shep Pettibone Remix) (09.03)
4. Touched By The Hand Of God (07.06)
5. Blue Monday '88 (07.10)
6. Evil Dust (03.43)
7. True Faith - True Dub (07.51)
8. Beach Buggy (07.20)

Technique (1989)

1. Fine Time (04.43)
2. All The Way (03.23)
3. Love Less (03.02)
4. Round & Round (04.30)
5. Guilty Partner (04.45)
6. Run (04.29)
7. Mr Disco (04.21)
8. Vanishing Point (05.24)
9. Dream Attack (05.14)

Technique – bonus disc

1. Don't Do It (04.33)
2. Fine Line (04.45)
3. Round And Round (06.51)
4. Best & Marsh (04.32)
5. Run (II) (05.26)
6. MTO (05.27)
7. Fine Time (Silk Mix) (06.19)
8. Vanishing Point Instrumental (5.12)
9. World In Motion (Cabinieri Mix) (5.55)


ya a la venta Amazon uk

"Me (Peter Hook) and Bernard (Summer) don´t like Unknown pleasures" (Joy Division DVD) del Mojo

Referencias de Walkoviak en el Mojo



viernes, 26 de septiembre de 2008

Joya de Northern Soul: Karmello Brooks - "Tell Me Baby"



Y la cara B también está muy bien, pero no la encuentro: http://indangerousrhythm.blogspot.com/2006/12/karmello-brooks-youre-breaking-my.html
El single se cotiza en ebay entre 500 y 1000 libras. La cara A se puede encontrar en este recopilatorio de rarezas.

miércoles, 24 de septiembre de 2008

El verdadero nuevo lp de Brian Wilson


Bueno pues por fin he conseguido aclararme. Resulta que circulan 2 versiones distintas de "That Lucky Old Sun", una de ellas son demos.

La verdadera es la que numera el track 2 como "Morning Beat". La de las demos en cambio el track 2 es "That Lucky Old Sun2".

Pero es que ADEMÁS, hay 2 itunes extra tracks y 3 best buy tracks, que se pueden encontrar:


Best Buy version has three exclusive tracks :

- Good Kind Of Love (with Carole King)
- I'm Into Something Good (with Carole King)
- Just Like Me And You

The iTunes version will also have exclusive tracks:

- Oh Mi Amor
- Message Man

El disco me ha encantado, aunque disiento con Jorge; mi hit es "Forever My Surfer Girl"

Aquí está:

La foto corresponde a una de las críticas superlativas que ha recibido el disco. Esta es la del Mojo

Sylvie Vartan "J'ai deux mains, j'ai deux pieds, une bouche et puis un nez" [cara B del single "La chasse à l'homme" 1970]


Este es otro de mis hits veraniegos, gracias a Flor de Pasión

Lambchop - "Slipped, Dissolved and Loosed" (de Oh! Ohio, 2008)


No es "Soaked in the popper" pero casi. Que paz, que tranquilidad. Es un dueto con una voz femenina.

Belle & Sebastian: The BBC Sessions


We are pleased to announce the release of the long awaited compilation of BBC recordings spanning the years 1996 – 2001.

The BBC Sessions is released on Jeepster Records, week commencing 17th November in Europe and on Matador Records in the USA.

It is initially available in three formats: as a limited edition double CD which includes a live recording of the Christmas show in Belfast from 2001 as bonus content, and with all the tracks as a download. In addition, the session tracks are also available as a double vinyl edition.

As well as different versions of songs from the first three albums and associated EPs, the album contains four much bootlegged songs recorded for John Peel in 2001, none of which have previously appeared on CD or vinyl.

Among the highlights of the fourteen session tracks are five songs from the two 1996 sessions for The Graveyard Shift (presented by Mark Radcliffe), an alternative version of the single, Lazy Line Painter Jane and a definitive version of Slow Graffiti recorded for The Evening Session, presented by Steve Lamacq. The next appearance on the show yielded an early version of The Wrong Girl when it was still known as Wrong Love.

Despite featuring in John Peel’s Festive Fifty every year during the period and being played regularly on his show, the first Maida Vale Peel session did not take place until 2001 – the first of four subsequent Peel appearances which included a visit to Peel Acres and a legendary, sixteen song Christmas gig at Maida Vale, both in 2002.

The four songs from 2001 – The Magic of a Kind Word, Nothing In The Silence, Shoot The Sexual Athlete and (My Girl’s Got) Miraculous Technique – never made it on to subsequent albums, and are the last recordings to feature Isobel Campbell. They capture the band at the end of one part of their history and at the start of another.

By the time of the recording of the Christmas show some six months later on 21st December 2001 in Belfast, Bob Kildea had joined on bass and guitar, and playing live had moved much further up the agenda.

The gig is full of relaxed seasonal cheer, with requests, guest vocalists from the crowd, old favourites and three cover versions – Here Comes The Sun (The Beatles), Boys Are Back In Town (Thin Lizzy) and Waiting For The Man (Velvet Underground).

The full track listing is as follows:
Disc 1 – Radio Sessions: The State I Am In, Like Dylan In The Movies, Judy and the Dream of Horses, The Stars of Track and Field, I Could Be Dreaming, Seymour Stein, Lazy Jane, Sleep The Clock Around, Slow Graffiti, Wrong Love, Shoot The Sexual Athlete, The Magic of a Kind Word, (My Girls Got) Miraculous Technique

Disc 2 – Live in Belfast: Here Comes The Sun, Theres Too Much Love, The Magic of a Kind Word, Me and the Major, Wandering Alone, The Model, Im Waiting For The Man, The Boy With the Arab Strap, The Wrong Girl, Dirty Dream # 2, Boys Are Back in Town, Legal Man

martes, 23 de septiembre de 2008

Beach Boys - "Vegetables" (feat Paul McCartney)


feature the novel use of vegetable chewing as percussion. During the SMiLE sessions, Paul McCartney was recorded chewing celery for the original version. Al Jardine remembers that "the night before a big tour, I was out in the studio recording the vocal [for 'Vegetables'] when, to my surprise, Paul McCartney walked in and joined Brian at the console. And, briefly, the two most influential musical Geminis in the world had a chance to work together. I remember waiting for long periods of time between takes to get to the next section or verse. Brian [seemed to have] lost track of the session. Paul would come on the talkback and say something like 'Good take, Al.'"[1]

Vegetables" (or "Vega-Tables") is a song written by Brian Wilson and Van Dyke Parks for the American pop band The Beach Boys. It was released on their 1967 album Smiley Smile with Al Jardine and Brian Wilson on lead vocals. The song was originally intended to be released on the famous SMiLE album, planned for 1967, but due to the cancellation of SMiLE, it was released in a much toned-down form on Smiley Smile instead, with one section cut out and later reused as Mama Says on the album Wild Honey. It is one of five tracks on Smiley Smile that were intended for the cancelled SMiLE, the other songs being "Good Vibrations", "Heroes And Villains", "Wind Chimes" and "Wonderful".

The song was covered by Jan and Dean (under the name Laughing Gravy) on a single released in 1968.

(texto de wikipedia)

I'm gonna be round my vegetables
I'm gonna chow down my vegetables
I love you most of all
My favorite vege-table

If you brought a big brown bag of them home
I'd jump up and down and hope you'd toss me a carrot

I'm gonna eat my, my vegetables
im gunna love my, my vegetables
I love you most of all
My favorite vege-table

Oh oh taba vega vegel

I tried to kick the ball but my tenny flew right off
I'm red as a beet 'cause I'm so embarassed

Sleep a lot eat a lot brush em like crazy
Run a lot do a lot never be lazy
Sleep a lot eat a lot brush em like crazy
Run a lot do a lot never be lazy

Oh oh dum do dum de dooby do
Oh oh dum do dum de dooby do
Oh oh dum do dum de dooby do
oh yeah
Oh badumday oh dum do dum de dooby do
Oh badumday oh dum do dum de dooby do

I throw away my candy bar and I ate the wrapper
And when they told me what I did I burst into laughter

I know that you'll feel better
When you send us in
Your letter an'
Tell us the name of your
Your favorite vege-table

April Young - "Gonna Make Him My Baby" / The Trade Winds "New York's a Lonely Town"

Esta canción la escuché en Flor de pasión (¡nuevo horario! de lunes a viernes a las 19 horas!) y es una joya del sonido girl groups. Es del año 1965 y es un tema muy poco conocido de peter andrioli/vince poncia (compositores y también miembros en su día del grupo surf The Trade Winds, que editaron aquel fantástico "New York's a Lonely Town"). La canción se cotiza mucho en ebay y es pasto de japoneses en sus subastas, pero está localizable en slsk y en un recopilatorio editado en 1999 llamado "Yo Philadelphia! Look What I Found".

Thomas Dutronc (si, el hijo de...)


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